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Movie: Black and Cuba

An award-winning documentary that follows street-smart Ivy League students, outcasts at their elite university, as they adventure to Cuba. Enthralling scenes of Cuban life including hip hop performances, block parties, and candid spontaneous encounters with AfroCuban youth. 

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Film Review: 'Bessie' Is the Most Honest, Revealing Biopic About a Black Woman We’ve Ever Seen

Aisha Harris Slate
Looking for a decent, memorable biopic about a black woman is like waiting for Haley’s Comet. To find one, you’d have to jump all the way back to Halle Berry’s Emmy-winning turn in Introducing Dorothy Dandridge in 1999, and before that, Angela Bassett as Tina Turner in 1993’s What’s Love Got to Do With It, and before that, Diana Ross as Billie Holiday. Dee Rees’ feature about blues legend Bessie Smith on HBO joins the ranks of those aforementioned films.

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Film Review: 'Good Kill' - Assassins to Ashes

Ed Rampell Jesther Entertainment
In Andrew Niccol's 'Good Kill', fresh from his Oscar-nominated role in Boyhood, Ethan Hawke portrays pilot Major Tom Egan, who, after repeat combat tours flying over the Iraq and Afghan theaters of conflict, is now stationed outside Las Vegas, where he is deeply conflicted by his role in the UAV liquidation-by-remote-control project.

Movie: We Are Many

On February 15, 2003, over 15 million people marched in 800 cities on every continent to voice their opposition to the proposed war in Iraq. This film documents how, this unprecedented global march was organised, against all odds, by a patchwork of peace campaigners. In theaters now.
 

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‘Forbidden Films’ Exhumes Nazi Poison From the Movie Vaults

J. Hoberman New York Times
The Third Reich produced 1,200 films, 300 of which were banned after WWII as dangerous propaganda. Forbidden Films examines the 40 that remain effectively banned to this day, locked inside a German federal film archive and only made availavle to researchers. Are they historical evidence, incitements to murder, fascist pornography, evergreen entertainments, toxic waste or passé kitsch? Are these films better shown and discussed rather than repressed and forgotten?

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Forming a Critical Sense of Race With Spike Lee's "Do The Right Thing"

Kelli Marshall JSTOR Daily
Each term my film students watch Spike Lee’s Do the Right Thing (1989). And each term they react similarly to the scene in which Mookie (Spike Lee) throws a trash can, igniting a neighborhood riot by breaking the window of the pizzeria where he works. Most students of color feel Lee’s character did the right thing while the majority of white students cannot understand why Mookie would do such a thing to his boss. Why this reaction—term after term, year after year?

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Film Review: Last Days In Viet Nam -- With Liberals Like Rory Kennedy, Who Needs Reactionaries?

Ed Rampell Hollywood Progressive
However, skillful propagandist that Kennedy is, in her effort to whitewash history and try to ferret out something positive in a colossal debacle, there’s something even she can’t hide. Look closely at the newsreel clips as the NVA tanks roll into what was renamed Ho Chi Minh City. Not only are the soldiers jubilant, but look at the smiling faces of the Vietnamese masses as they are being liberated from decades of Japanese, French and Yankee occupation and imperialism.

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Native Actors Walk Off Set of Adam Sandler Movie After Insults to Women and Elders

Vincent Schilling Indian Country Today Media Network
Adam Sandler's The Ridiculous Six is said to be a spoof on The Magnificent Seven. Examples of the disrespect that triggered the walk off included Native women’s names such as Beaver’s Breath and No Bra, an actress portraying an Apache woman squatting and urinating while smoking a peace pipe, and a severely negligent portrayal of the Apache. The movie will star Sandler, Nick Nolte, Steve Buscemi, Dan Aykroyd, Jon Lovitz and Vanilla Ice.

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'Ex Machina' Review: Gorgeous Futurism, But Flawed Gender Depictions

Cara Rose DeFabio Fusion
Ava, the robot star of Ex Machina, the dazzling sic-fi thriller, could easily be seen as an addition to the list of subservient bots in the tradition of Siri and Samantha—a machine that exists to tend every man's need, and read him driving directions without challenging masculinity. But if you push past that frustration, the film brings to the fore the idea that technology is as imperfect as its creators, and its mirror can provide a useful reflexion.
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