On Valentine’s Day, New Yorkers will be allowed to eat inside restaurants again. We shouldn’t.
For today’s feminists, labor militants, and socialists, the vision of feminist labor organizing that guided the women’s white-collar organizing project 9to5 should still be our north star.
Warrior explores America’s racial history and its intersection with the immigrant experience—it shows how, in a nation of immigrants, nonwhite people are seldom considered “American” by their white peers.
The tragedy of American science lies in its drive for private profit over improving the human condition, resulting in Big Science being irredeemably corrupted by Big Money, poisoning the air, the water, the food we eat, and the medicines we take.
As this book shows, writes reviewer Rosen, “the slave trade persisted in New York in the decades before the Civil War because the city was the capital of the Southern slave economy.”
This examination of how the digital world portrays food directly, represents people engaged in all aspects of food, and affects the politics and economics of the food world, foreshadows some of the directions the larger world of food is taking.
One Night in Miami is incisive about the pressures of Black celebrity, and its central dialogue circles the question of what its characters—all icons in their own right—owe to both the Black community at large and a nascent civil rights movement.
Hillary and Chelsea Clinton are producing a new TV series about female Kurdish fighters. We can expect a sanitized production that somehow fails to mention that YPJ forces in Rojava are leftists who oppose everything the Clintons represent.
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