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Strangely Lenin

Paul Buhle Portside
This may be the funniest book about Lenin ever published, a generalization difficult to prove because there have been thousands of books about Lenin in hundreds of languages.

Staughton Lynd: The Perils of Sainthood

Paul Buhle Portside
Staughton Lynd seemed like a personal force almost more than a person within the antiwar movement of the 1960s. My Country Is the World largely and usefully recounts the controversies that came with his rise in the peace movement of the middle 1960s

The Too-Large-For Life Harry Bridges

Paul Buhle Portside
Harry Bridges, the Pacific longshoremen’s leader is too large for life and almost too large as a biographical subject. Left historian Paul Buhle reviews the recent biography by Bob Cherny.

Beyond a Biography: Seeing C.L.R. James Afresh

Paul Buhle New Frame
John L Williams’ new book on the pan-African thinker is a marvel that offers a close, meticulous description of his life and thinking, untangling his transformations and inviting reacquaintance.

When Solidarity Mattered

Paul Buhle CounterPunch
This book is a new and innovative look at a pivotal moment in U.S. labor history.

New Left Memories

Paul Buhle Portside
Two new memoirs portray the activist left over the last half-century.

New Film Reveals Life of Civil Rights Activist Jack O’Dell

Paul Buhle Truthout
O’Dell was a close, crucial adviser to Dr. King. The axe nevertheless fell with demands on King to drop this trusted adviser. Speaking softly, O'Dell minces no words about the role of anti-communism then, how much it cost him and the Black movement.

Two Intellectual Giants of the American Left

Paul Buhle Monthly Review
Two Marxists associated with the left journal Monthly Review correspond in the years leading up to the publication of their magisterial Monopoly Capital. The reviewer calls the collection "fascinating for its details and quiet wisdom," grappling with a reconfigured empire that persists today.

Comic Art in the Academy

Paul Buhle New Politics
Once the provenance of teens, counterculturalists or authors who were fans, comics are now entrenched in academic discourse in what the essayist calls, "the theorizing of a kind of artistic poetics." The book under review ably looks at nonfiction comics as apt reflections on modern social ills.