How you feel about the ending of Promising Young Woman likely depends on what genre you think the movie is in.
The problem with Netflix’s The Queen’s Gambit isn’t that Beth is too pretty. It’s how the show handles her prettiness.
Ruth Ben-Ghiat delivers a superb examination of how close the US came to fascism – and how it has propped it up before.
Through interviews with Khashoggi’s friends and colleagues, as well as old footage of the man himself, The Dissident paints a portrait of a conscientious reporter with powerful connections.
Despite its relative diversity, HBO's “Industry” is peppered with casual instances of sexism, racism, and classism.
Here is a history of fascism in Europe that may be helpful as we consider this troubled, and troubling, moment.
What will writers do when the outrage is over? Will they go back to writing about flowers and moons?
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