Portside Culture

Posted by Portside on May 29, 2015
Verse Wisconsin Online
In a world of multiple crises and bad politics, Wisconsin poet Margaret Rozga celebrates the spirit of unyielding global resistance.
Posted by Portside on May 28, 2015
The Nation, June 8, 2015 edition
With its numerous religious awakenings and repeated instances of religiosity as political theater, it's easy to forget US civic life is secular. Author Kevin Kruse argues that the effort to ground political rights in spiritual authority and not in democratic discussion and decision-making originated with a coterie of corporate heads, right-wing politicians, reactionary pastors and cultural icons as a bulwark against progressive politics and New Deal legislation.
Posted by Portside on May 27, 2015
American Diplomacy
Scholars are producing increasingly detailed accounts of how the U.S. government utilized artists and culture in the Cold War anti-Communist crusade. According to former diplomat John H. Brown, this new study, by Greg Barnhisel, shows that an important factor in making modernism work for U.S. Cold War interests involved "defanging modernism of its radicalism and turning it into an international vehicle for whitebread all-American convictions."
Posted by Portside on May 26, 2015
The Nation
Clouds of Sils Maria is a prolonged debate about the passage of time and the ceaseless rivalry of generations.
Posted by Portside on May 25, 2015
Restaurant Hospitality
Liberal arts courses across the curriculum include food as a central topic of academic study
Posted by Portside on May 22, 2015
New Verse News
California poet Erica Goss raises the question, knowing the reader will have an answer: Is one child's life worth more than another's?
Posted by Portside on May 21, 2015
The New York Review of Books
The compendious catalogue of a recent exhibit offers representations of art as practiced by numerous Plains tribes from first encounter with Europeans to their near decimation not only from military conquest and rough frontier justice but from European-spawned disease. Much of the work is likened to that of Italian painters of religious scenes during the Renaissance, which might be defined as the depiction of social life sustained by a sacred sacrifice of blood.

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