With The Vietnam War, Ken Burns and Lynn Novick have created a film that rehashes some old, tired tropes. In doing so, they distort what soldiers, veterans, and antiwar activists alike know about the war and its aftermath, especially inside the United States.
Song by Jesse Winchester, from The Wire, Season 1. Winchester opposed the Vietnam War, moved to Canada in 1967, and after a Presidential amnesty in 1977 resettled in the United States.
What is the appropriate response to the banality of the Op-Ed: “Vietnam’s Unhealed Wounds” by Ken Burns and Lynn Novick in the 2017 Memorial Day edition of The New York Times? Such a trite pronouncement is surely destined for the dustbin of history. But already accompanied by much media hype, Burns and Novick are set to launch their PBS documentary: THE VIETNAM WAR, a ten-part, 18-hour series in September 2017.
In his signature song released 50 years ago Arlo Guthrie tells a true and powerfully understated story of draft resistance that encourages listeners to sing together, resist together and end war.
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Half a century after United States B-52 bombers dropped more than 500,000 tonnes of explosives on Cambodia's countryside Washington wants the country to repay a $US500 million ($662 million) war debt. The demand has prompted expressions of indignation and outrage from Cambodia's capital, Phnom Penh.
Why we should not forget the role our endless wars over the last sixteen years have played in creating the refugee crisis we now so earnestly decry.
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On March 16, 1968 American soldiers murdered 407 unarmed men, women, and children in My Lai. The same day, in the nearby village of My Khe, another unit of the same division murdered an estimated 97 additional Vietnamese civilians. I and my fellow Marines routinely killed, maimed, and abused Vietnamese on a near-daily basis, destroying homes, fields, crops, and livestock with every weapon available to us, from rifles and grenades to heavy artillery and napalm.
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