An internet urban legend, now a hit horror movie, shows the vast, meaningless maze behind modern life.
Two indie horror movies with YouTube origins, Obsession and Backrooms, crushed big-budget Star Wars and He-Man movies at the box office. But claims that these films represent a revival of cinematic creativity à la the New Hollywood era are overblown.
Backrooms brings liminal horror to the masses, and with it, a generation looking for a past that might not exist
Josh Safdie’s Marty Supreme stars Timothée Chalamet as an obnoxious, nerdy young 1950s ping-pong hustler who somehow cons everyone around him. It’s flashy, fast, and made with so much talent it’s a shame they forgot to make much of a case
Spike Lee’s Highest 2 Lowest attempts to remake a beloved Akira Kurosawa film about the injustices of a class-stratified society all while sidestepping class. Even Denzel Washington can’t save this misfire.
Ari Aster’s new film, Eddington, pulls no punches against the Right or the Left. Yet its message is anything but moderate.
The film is essentially broken into two halves: the rising tension of the region's pandemic policies and the early Black Lives Matter protests and the disinformation spread through the internet
Writer-director Celine Song’s Materialists follows a professional NYC matchmaker split between two charming suitors. It’s yet another attempt to update the Jane Austen formula, but without the poignancy and beauty of Song’s acclaimed Past Lives.
The Legend of Ochi, a new A24 family film, combines live action, CGI, and old-fashioned puppetry to charming effect.
Director Jane Schoenbrun and stars Justice Smith and Brigette Lundy-Paine talk bringing trans horror to the big screen.
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