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A Visual History of the Harlem Renaissance

Text by Reece Taylor Williams and Veronica Chambers. Edited by Marcelle Hopkins, Eve Lyons and Veronica Chambers. Designed and Produced by Alice Fang and Antonio de Luca. Archival Research by Lisa Dalsimer, Allyson Torrisi and Dahlia Kozlowsky. New York Times
The Harlem Renaissance changed the world. We’ve gathered dozens of images, many that we’ve never published, showing the people and the art that they created.

The Pitch of Passion

Colm Tóibín New York Review
James Baldwin was fascinated with eloquence itself, the soaring phrase, the rhythm pushed hard, the sharp and glorious ring of a sentence.

poetry

1619

Philip C. Kolin White Terror Black Trauma
Mississippi poet Philip Kolin traces the history of enslavement since 1619, this extract from his new book White Terror, Black Trauma (Third World Press).

The Black Radical Tradition Can Guide Our Struggles Against Oppression

Robin D. G. Kelley, Daniel Denvir Jacobin
Historian Robin D. G. Kelley has uncovered a tradition of African American radicalism that was — and is — a crucial part of the American left’s history. He talks to Jacobin about the need to connect struggles against racism and class oppression.

The Long War on Black Studies

Robin D. G. Kelley New York Review
It would be a mistake to think of the current wave of attacks on “critical race theory” as a culture war. This is a political battle.

The Red Scare Took Aim at Black Radicals Like Langston Hughes

Peter Dreier Jacobin
Poet Langston Hughes was invited to speak at Occidental College on this day in 1948, then uninvited when red-baiters released a report calling him a “subversive.” His story shows how the postwar Red Scare targeted radicals, particularly black leftists.
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