Apple’s superbly twisty thriller about a beautiful camboy blackmailing a divorced mum is like the new No Country for Old Men – with added Nick from New Girl
Jonah Hill’s new Apple TV Hollywood satire, Outcome, wants to skewer celebrity culture. But even with the likable Keanu Reeves, its muddled script and self‑pitying subtext reveal more about the industry’s narcissism than the film ever intended.
Apple’s dystopian workplace thriller Severance entered its second season as a genuine cultural phenomenon. With its brutal satire of the American corporate structure, it’s easy to see why.
Pachinko follows Sunja, a young Korean woman who immigrates to Japan in the late 1930s after marrying a Protestant minister. A mother of two in unfamiliar territory, she strives to take care of her family amid poverty, racism, and political turmoil.
CODA may not really be 2021’s best film, but CODA’s Best Picture win might just make the best sense. As a representative of the topsy-turvy movie year, in a topsy-turvy world, handed out at a remarkably topsy-turvy Oscars, it might not be half bad.
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