Portside

AD’s journey underscores the Netflix hit’s (Love Is Blind) misogynoir problem.

Many post-Oscar career trajectory outcomes boil down to three things that always seem to go hand in hand with the Oscars: sexism, racism, and the toxic combination thereof, misogynoir.

Avatar remains one of the most unapologetically antifascist shows ever made. It’s not even generically pacifist — it frequently depicts acts of violent resistance as necessary.

Largely set in occupied France during World War II, the new Apple TV+ series The New Look zeroes in on Christian Dior’s rivalry with Coco Chanel — but it falls flat when it tries to handle Chanel’s infamous Nazi sympathies.

True Detective: Night Country breaks ground in television's portrayal of Indigenous women and the MMIW crisis. Characters like Kayla Prior and Evangeline Navarro offer a nuanced reflection of resilience, complexity, and societal struggles.

Loosely based on the 2005 film, the new Mr. & Mrs. Smith TV reboot uses the action-comedy genre to represent how impossible life is for so many people today, with two misfit unemployables turning to assassin work out of desperation.

Swift represents a constituency conservatives are losing big time: Young women.

Prime Video's series, created by The Farewell’s Lulu Wang, is a tragic and truthful rumination on womanhood. The show also sprinkles in arcs about class differences, racism, and motherhood.

True Detective: Night Country, the fourth season of the HBO/Sky drama, is a twist on its familiar neo-noir mystery format, starring Jodie Foster and Kali Reis as the lead detectives. It’s the first time women have been at the show’s helm.

For Native Americans there is something also familiar about Maya’s interactions with family and friends, with the way the community speaks to each other, and the sense that distance doesn’t mean separation. ‘Indian humor’ is prevalent throughout.