Portside

The Legend of Ochi, a new A24 family film, combines live action, CGI, and old-fashioned puppetry to charming effect.

The press is blaming the young and very online actor Rachel Zegler for Snow White’s dismal box office showing. But Zegler’s performance as the original Disney princess is the only bright spot in an otherwise cynical cash grab.

Black Bag is being hailed by critics as highly sophisticated cinematic fare — rather than an unambitious rush job by a talented director eager to move on to his next, similarly unsatisfying project.

Apple’s dystopian workplace thriller Severance entered its second season as a genuine cultural phenomenon. With its brutal satire of the American corporate structure, it’s easy to see why.

Despite Emilia Pérez’s mixed reviews and poor audience reactions, Hollywood handed the musical 13 Oscar nominations in the hopes of proving its progressive bona fides. Then old tweets from its star surfaced.

Despite Emilia Pérez’s mixed reviews and poor audience reactions, Hollywood handed the musical 13 Oscar nominations in the hopes of proving its progressive bona fides. Then old tweets from its star surfaced.

Trump supporters will never go see 'The Apprentice' and anti-Trumpers won’t be able to bear two hours watching the bane of their existence rise to wealth and power. This lack of a clear audience spells an unfortunate box-office bomb.

Channing Tatum and Scarlett Johansson try to win the 1969 space race in Fly Me to the Moon. But its heavy-handed history lessons ruin the fun.

Supposedly the first of four films, Kevin Costner’s dull and messy Western throwback, Horizon: An American Saga - Chapter 1, is almost certainly dead on arrival.

Jeff Nichols’s The Bikeriders coasts on Austin Butler’s outlaw charm and an excellent performance from Tom Hardy. But neither can get this nostalgia piece into third gear.