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Caught Stealing Is a Wild and Violent Romp

Eileen Jones Jacobin
Darren Aronofsky’s Caught Stealing sees the typically pretentious auteur shift gears toward fun and violence in late 1990s NYC. It’s a throwback to gritty 1970s filmmaking but set in the Giuliani era — the perfect setting for downwardly mobile 2025

Highest 2 Lowest Is a Cringeworthy Remake of a Classic

Eileen Jones Jacobin
Spike Lee’s Highest 2 Lowest attempts to remake a beloved Akira Kurosawa film about the injustices of a class-stratified society all while sidestepping class. Even Denzel Washington can’t save this misfire.

The Undeniable Greatness of Jaws

Eileen Jones Jacobin
Jaws is rightly celebrated as a landmark, generation-defining hit. But it’s not sufficiently recognized as a great 1970s film, exemplifying that rocky decade’s political ire, acerbic social critique, and the lingering practices of realist cinema movi

28 Years Later and the Social Life of Catastrophe

Eileen Jones Jacobin
The latest installment of the 28 Days Later franchise returns with more than zombies — it explores the strange new norms that follow collapse. It’s a vision of survival horror that focuses not just on the infected but on the ways humanity adapts.

Materialists Tries To Update the Rom-Com for the Tinder Generation

Eileen Jones Jacobin
Writer-director Celine Song’s Materialists follows a professional NYC matchmaker split between two charming suitors. It’s yet another attempt to update the Jane Austen formula, but without the poignancy and beauty of Song’s acclaimed Past Lives.

The IP Machine Laughs at Itself

Eileen Jones Jacobin
Seth Rogen and Evan Goldberg mock Hollywood’s creative collapse in The Studio — while continuing to churn out sequels, reboots, and branded spin-offs.

Don’t Blame Rachel Zegler for Snow White

Eileen Jones Jacobin
The press is blaming the young and very online actor Rachel Zegler for Snow White’s dismal box office showing. But Zegler’s performance as the original Disney princess is the only bright spot in an otherwise cynical cash grab.

Black Bag: Not Much To See Here

Eileen Jones Jacobin
Black Bag is being hailed by critics as highly sophisticated cinematic fare — rather than an unambitious rush job by a talented director eager to move on to his next, similarly unsatisfying project.

Severance Is an Indictment of Workplace Hell

Eileen Jones Jacobin
Apple’s dystopian workplace thriller Severance entered its second season as a genuine cultural phenomenon. With its brutal satire of the American corporate structure, it’s easy to see why.