Portside

In his praise of Julie Dash's “Daughters of the Dust” during its initial theatrical release in 1992 critic Stephen Holden called it “a film of spellbinding visual beauty.” Now restoration of the film aims to bring more of that beauty to the forefront. The Cohen Film Collection announced that it has completed a digital restoration of “Daughters of the Dust” and plans to release that version theatrically this fall.

Simran Sethi's book, "Bread, Wine, Chocolate: The Slow Loss of Foods We Love," is a call to arms: a warning of the dire consequences of what she sees as a disturbing lack of diversity in the foods we eat.

“Saturday Night Live” veteran Dana Carvey resurrected his “Church Lady” character in a surprise appearance last night following Donald Trump becoming the presumptive Republican nominee this week.

The English poet John Daniel provides a perfect Mother's Day memory of his hard-working Mum, Violet Daniel, who defied the usual expectations of mothering. Happy Mothers Day!

The initiatives of the New Deal and FDR's Second Bill of Rights represented less a permanent triumph of the welfare state or a model for a progressive way forward than a unique combination of non replicable circumstances, including a temporary cessation of enduring tensions involving race, immigration, culture, class, and individualism, which served to sustain a pale social democratic reform for just a few decades. What followed instead was today's new Gilded Age.

The new documentary film Solitary goes inside a supermax prison to discover what it’s like being in solitary confinement—a practice experts now describe as unnecessary and prisoners say is torture.

Child nutrition reauthorization draft calls for increases in school breakfast reimbursement and other compromises included in the Senate draft, but also raises the threshold for CEO eligibility

The PBS-aired educational program 3-2-1 Contact was one of the best things on TV in the 1980s.

Milwaukee poet Phyllis Wax throws a cold eye on this year's election: her conclusion is chilling.

In the period between the world wars, Stefan Zweig was among the world's best-known authors. His books would soon fuel Nazi bonfires. Zweig held that humanity could no longer afford the belligerent nationalism that had led them into the Great War. Yet Zweig was struck dumb by post 1933 events. That failure, the reviewer says, was of imagination, not nerve. Against the Nazis' depredations, all the consummate writer and speaker could muster was nostalgia for a lost world.