Portside

One Night in Miami is incisive about the pressures of Black celebrity, and its central dialogue circles the question of what its characters—all icons in their own right—owe to both the Black community at large and a nascent civil rights movement.

This examination of how the digital world portrays food directly, represents people engaged in all aspects of food, and affects the politics and economics of the food world, foreshadows some of the directions the larger world of food is taking.

Hillary and Chelsea Clinton are producing a new TV series about female Kurdish fighters. We can expect a sanitized production that somehow fails to mention that YPJ forces in Rojava are leftists who oppose everything the Clintons represent.

Southern California poet Teresa Mei-Chuc speaks back to the US lethal “counter-terrorist” Phoenix Program during the Vietnam War.

A leading historian of 19th century US history reviews two recent books on Lincoln and John Brown, charting the background to the Civil War and its lingering heritage today.

The anarchist philosopher Peter Kropotkin, writing in 1902, called Mutual Aid "the conscience — be it only at the stage of an instinct — of human solidarity." This new book offers insight into how that idea can live in today's world.

Based on the bestselling novel, Netflix’s The White Tiger is a wry, blistering critique of inequality in India — and elsewhere.

Because of Portside, a lot of people who are determined to make their own history will have the tools to do it -- the emotional sustenance, the information, the analysis, the connections -- to meet the extraordinary situation we all confront.

I’m not the first voice to plead that we never go back to normal.

FX’s A Teacher unmasks itself as a condemnation of a storytelling trope too often characterized as innocent, sexy fun.