Portside

Carlo Levi’s memoir, “Christ Stopped at Eboli,” was a literary sensation in post-Fascist Italy. Three decades later Francesco Rosi's film enshrined the book's neorealist credo--giving voice to the voiceless.

At the close of 2018, the White Earth band of Ojibwe passed a law formally recognizing the rights of wild rice "to provide a legal basis to protect wild rice and fresh water resources as part of our primary treaty foods for future generations.”

At its best, crime drama does not simply try to terrify us with pure unblinking evil but gives us studies of dysfunctional human beings mangled by capitalism, argues Sofie Mason

Poet Joseph Zaccardi, Laureate of Marin County, explores the local chit-chat, reminding us it’s also about what folks don’t want to say or hear.

Carrying on from Raymond Williams' Keywords, the classic study of capital's appropriation of words for its own ends, the book under review looks at contemporary linguistic usage that serves and reinforces dominant class interests.

"For Mills," writes reviewer Lancaster, "the best corrective for the historical shortcomings of political liberalism is a healthy infusion of critical race theory."

French director Agnès Varda, who died Friday at her home in Paris, was the only woman associated with the new wave during that film movement’s peak. She made films for more than 60 years, and in the latter part of her career focused on documentaries.

Veep has, always, been chock-full of other apparent sociopaths—which is what makes the show’s resemblance to America’s actual political reality so troubling.

Peter Neil Carroll's poetry pays homage to the veterans of the Abraham Lincoln Brigade who left a legacy of fighting fascism.

Charting worldwide disaffection with liberal democracy, the book is a deep dive into Trumpism, Macronism, Brexit and question marks over the European Union, as well as mass movements weary of voting corrupt politicos in and out of office.