Portside

In the New York Times, critic James Poniewozik wrote, “Representing more people in more ways is the right thing to do, and it has made TV better. But it happened largely because there was money in it.”

Seattle poet Jed Myers writes about "a man/who’d left his house in rubble, crossed a plain and then a sea, gone north without a plan,/now faced a razor wire fence..." It's a story of upheaval, a refugee, a stalemate, all too familiar this sad saga.

While Michael Walzer's book on religious revivalism is acknowledged by the reviewers as a critical engagement and characteristically insightful, they also fault the author for wrongly diagnosing its effects and its prescription. In a link (below the review) Walzer replies, as do the reviewers.

This young Toronto-based poet won a place on the best-seller lists with her epigrammatic, haiku-like poetry that sometimes addresses emotionally difficult subjects. This is an unusual accomplishment for poetry in today's culture. Here is this remarkable writer's story.

It is the festival's Documentary Programme that offers the most bang for the buck. Citizen Jane: Battle for the City, about urban activist Jane Jacobs who saved New York neighborhoods in the 60s; it’s been awhile since we’ve seen a film about the revered muckraker, but All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone will once again raise the issue of truth in the media; the Canadian doc Black Code exposes how governments use the Internet to spy.

FX’s new comedy Better Things, created by and starring Louie’s Pamela Adlon, is an acerbic look at the life of a working actress raising three children.

The Tiananmen Square protests of 1989, crushed by China's military forces, no longer attract much editorial space, but the protests for freedom and the massacre that followed linger in history and in the conscience of the California poet Patrick Daly.

Contrary to a too-commonly held assumption, book author Anne Trubeck argues that while writing by hand will likely become less practiced, it will not disappear, but evolve, as she insists its variegated world history amply shows. Just one possible precedent: the metamorphosis of letterpress printing into an artisanal form.

Moonlight is a profoundly moving film about growing up as a gay man in disguise, a difficult and damaging journey that’s realised with staggering care and delicacy and one that will resonate with anyone who has had to do the same. We’re starved of these narratives and Jenkins’ electrifying drama showcases why they are so hugely important, providing a rarely seen portrait of what it really means to be a black gay man in America today. It’s a stunning achievement.

This book, which won the American Book Award last month, aims to reorient our thinking about slavery, by focusing on "slave-breeding," a practice that helped ensure the institution's survival after the Constitutional ban on the transatlantic trade went into effect in 1808. In this review, Malcolm Harris discusses the implications of the practice, by outlining just how central slavery was to the production of U.S. wealth.