Portside

Robert Schenkkan’s Tony award winning All the Way portrays Lyndon Baines Johnson in his finest hour, and its multi-media staging on Broadway was already cinematic in nature. HBO’s TV adaptation — directed by Jay Roach in collaboration with Schenkkan’s screenplay and airing Saturday — has upped the ante, giving us a leaner, less unwieldy and more intimate rendering.

What's funny about drones? Nothing. The poet Jennifer L. Knox has a sense of humor. Also a sense of outrage. Seldom do these traits go so well together as in her poetry.

Mayer charts the domestic far-right effort to remake the political system through foundations, think tanks, university institutes, paid political commentators and huge campaign contributions by heirs to energy giant Koch Industries. One strategist admitted, "We want to decrease regulations. Why? It's because we can make more profit, okay?" Yet selling that line is hard. So they pose that ameliorative legislation denies the "opportunity for earned success" to the poor.

In Banking on Words, Arjun Appadurai argues that the 2008 financial crisis was, in essence, a failure of language. Narendar Pani finds that argument somewhat overstated, while at the same time acknowledging this book's "path-breaking" analysis of the role language has come to play in the way markets behave and are managed.

When arriving at a film festival like Tribeca, it’s pretty much a crap shoot when you scour the large catalog and read the brief descriptions of the films. Among the many choices, there were at least three narratives that passed the test and went on to win awards from the jury and the audience.

The food activist group, Eco Practicum, came together for five days in New York City for the third annual program produced in partnership with Our Name Is Farm, a training aimed at building “effective advocacy for a better food system.”

The CBS drama’s dramatic finale brought a sad but fitting end to a show that has always been a little bit awkward about its female friendships.

"The mothers are on their own," writes the poet/translator Kathleen Weaver in her homage to the women who courageously challenged dictatorships in Chile, Argentina, and elsewhere who had "disappeared" their children.

In left labor circles, it's been a settled question that the Haymarket martyrs, victims of ruling class justice, were framed, and May Day's radical origins are based on remembering the martyrs. The author of the books under review, using a close reading of the trial record, supports the court finding that the accused anarchists conspired to murder police during the epochal 1886 labor demonstration in Chicago. The reviewer strongly disputes the author's conclusions.

Michael S. Harper, who died on Saturday in Rhinebeck, N.Y. at the age of 78, was a major American and African American poet. He was a writer of complex poems that combined history and memory with a deep network of African American cultural, folkloric, and musical allusions and symbols. This brief biography of Harper is from the Poetry Foundation's website. A generous selection of Harper's work can be found on the Foundation's website.