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Review: Oscar-Nominated Russian Film "Leviathan" -- Man vs. System

Masha Gessen The New York Review of Books
The great trial of Job is reborn in Andrey Zvyagintsev’s magnificent Russian film, Leviathan. Compellingly told and stunningly shot, the film is also not subtle. The bad guys—the trinity of the government, the court, and the church—are pure evil. They are Leviathan itself, the Biblical monster that cannot be caught or tamed or killed. The film contended at Cannes, won a Golden Globe, was nominated for an Oscar, but last month was snubbed at the Russian film awards.

Word by Word: A Linguist Reads the Menu

Kent Black Boston Globe
Stanford linguistics professor and MacArthur Fellow Dan Jurafsky links the origins and evolution of foods to history, culture, tradition and trends. Wide-ranging topics include sexual metaphors in restaurant reviews, relationship of price to the number of syllables in menu descriptions, and the language on potato chip bags...among other things.

Word by Word: A Linguist Reads the Menu

Kent Black Boston Globe
Stanford linguistics professor and MacArthur Fellow Dan Jurafsky links the origins and evolution of foods to history, culture, tradition and trends. Wide-ranging topics include sexual metaphors in restaurant reviews, relationship of price to the number of syllables in menu descriptions, and the language on potato chip bags...among other things.