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Game of Thrones and the End of Marxist Theory

Sam Kriss Jacobin
A critique of Paul Mason's historical materialist prediction “Can Marxist theory predict the end of ‘Game of Thrones’?” for the upcoming seasons of Game of Thrones.

What She Could Carry

Heidi Andrea Restrepo Rhodes Matter: A (somewhat) monthly journal
This poem references the violence of enforced disappearance and forced displacement that is rampant in Colombia. Colombia has over 50,000 reported disappearances, and about 5 million internally displaced.

Culture After Google

Emilie Bickerton New Left Review #92 (Second Series), March-April 2015
Anatomy of a cultural product with the potential to ameliorate social inequities but threatened by digital corporate conglomeration and hijacking by the security state. Book covers the implications for cultural democracy in various sectors-music, film, news, advertising-how battles over copyright, piracy and privacy laws have evolved, counterpoints to invasive data-mining and a "People's Platform" supporting the politics of a fightback.

Liberal Punishment

Mike Konczal Dissent
Several of the biggest steps toward today's condition of mass incarceration and ever-more-visible lethal police violance against civilians were undertaken during Democratic Presidential administrations. Naomi Murakawa has written a history of these developments. Here, Mike Konczal shows us that changing the police-prison industrial system starts with an outlook that begins to think "not about how to make the system better, but about how to take it apart."

Why So Many Celebrities are Scientologists: "Going Clear", Revealing New HBO Doc, Holds Clues

Eileen Jones In These Times
One explanation of why do many celebrities are Scientologists is hidden in plain sight: The way the cult mirrors the star-obsessed, profit-driven culture of Hollywood. "Going Clear" also posits the rest of the answer: Stars stick with Scientology because of the meticulously kept notes, recordings and videos from E-meter "auditing" sessions that are central to the religion's practice, and make for ideal blackmail material.

Houellebecq Submits

Adam Shatz London Review of Books
Soumission, Michel Houellebecq's novel about a Muslim party's takeover of France, is "a melancholy tribute to the pleasure of surrender." It's 2022, the National Front is set to win the presidency, so the Socialist and Gaullist parties bloc so that a charismatic centrist Islamist politician wins instead. Whether or not France deserves a moderate Islamist state, "it has found in Houllebeque a sly and witty chronicler..." An English version will appear in September.

Political Revolutionaries, International Conspiracies, and the Fearful, Frenzied Elites

Andrew Benedict-Nelson Los Angeles Review of Books
Repression visited on social movements by conservative ruling elites has always been accompanied by a heavy dose of paranoia on the part of both the upper classes and their supporters. Adam Zamoyski has written a new history of this phenomenon, showing how it was a staple of early 19th Century European politics. In this review, Andrew Benedict-Nelson takes a look at this entertaining and intriguing story.

Cubans Review Recent Polish Film "Ida"

Rolando Pérez Betancourt GRANMA
"Ida" swept the European awards and finally won the Oscar for Best Foreign Language Film. Its director, Pawel Pawlikovski, resorted to an aesthetic of the 60s (Wajda, Godard) not because of mere retro desire, but because the events the film depicts and the resulting emotional impact occurred at the beginning of that decade. Betancourt writes: "Ida", with its aesthetic of loneliness masterfully portrayed in a black and white format, is a "tour de force".