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‘Blitz’ Review: Love in the Ruins

Alissa Wilkinson The New York Times
McQueen makes a point of integrating into the film what is rarely seen in movies of this sort: a sharp depiction of racism among Londoners, the enraging sort that has so calcified it still surfaces when people are just trying to survive.

This Week in People’s History, Nov 13–19

Portside
An image of Karen Silkwood's face with the text, "Who Killed Karen Silkwood?"
¡Karen Silkwood, Presente! (1974), Whatever Became of William Dawson? (1934), Are You Listening, Nixon? (1969), Ornette Coleman Takes Manhattan (1959), Who Says, Crime Doesn’t Pay? (2019)

Is This What Democracy Looks Like?

Michael Podhorzer Weekend Reading
The real headline of this election isn’t about Trump’s victory. It’s about how the Federalist Society coalition of plutocrats and theocrats has all but completed its mission to repeal and replace the 20th Century by judicial fiat. 

The Surprising Story of How Peaches Became an Icon of the U.S. Southeast

Meghan Bartels Scientific American
New research argues that after peaches were introduced by Europeans, they spread across the eastern U.S. with the help of Indigenous peoples who structured the ecology and the land to be appropriate for peaches to grow and they tended the plants.

Can Call Center Workers of the World Unite?

Steve Early Labor Notes
Steve Early reviews Debbie Goldman’s Disconnected: Call Center Workers Fight for Good Jobs in the Digital Age (University of Illinois Press, 2024, 246 pages).

Exit Right

Gabriel Winant Dissent Magazine
Trump has remade Americans, and to defeat Trumpism requires nothing less than the left doing the same.

How We Can Defend Ourselves in the New Trump Era

Bill Fletcher, Jr., Dave Zirin The Nation
The labor organizer Bill Fletcher says that, to protect our constitutional democracy, “the union movement needs to become an anti-fascist movement.”