The AI hype is essentially propaganda, the main purpose of which is to accelerate layoffs, to fuel financial speculation, and to divert investment and resources toward a new jump into the abyss by economic and political elites.
Natascha Elena Uhlmann, Keith Brower Brown
Labor Notes
One week into President Donald Trump’s first term, top building trades officers were chumming it up in the Oval Office, celebrating a reboot of the Keystone XL oil pipeline. But when Trump returned to office this year, things were very different.
During this century, in the Middle East, the U.S.-Israel duo has vastly outdone all other entities combined in the categories of killing, maiming, and terrorizing.
Jaws is rightly celebrated as a landmark, generation-defining hit. But it’s not sufficiently recognized as a great 1970s film, exemplifying that rocky decade’s political ire, acerbic social critique, and the lingering practices of realist cinema movi
It’s Your Birthday Medicaid, Chin Up! (1965), A Night at the Opera in the Infield (1925), Who Won the Civil War, Anyway? (1900), Candidate Reagan Shows His True Colors (1980), Robert Purvis, Fighter for Justice (1810),
The Jury Knew Right from Wrong
Satan! Jesus! In its 27th season opener this week, titled “The Sermon on the Mount,” the Paramount Plus animated show “South Park” provided by far the most comprehensive and trenchant critique of Trump’s first six months back in office.
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