HBO's Perry Mason uses its central case and characters to tug at the different threads of a rich societal tapestry, deftly posing questions about religion, race, sexuality, and gender roles as the world unravels.
It is in our power to decide how to meet this crisis. We could deepen divisions and set off on the fool’s errand of building “Fortress America.” Or we could use it to build community, forge solidarity, revive internationalism, renovate democracy.
Race, gender, religion, abortion, immigration, gun control, culture and patriotism are issues used to divide the public. The culture wars give the oligarchs, both Democrats and Republicans, the cover to continue the pillage.
Worsening economic inequality in recent years is largely the result of policy choices that reflect the political influence and lobbying power of the rich. There is now a self-reinforcing pattern of high profits, low investment, and rising inequality
I personally find characterizations of Reed as a class-reductionist to be quite confusing. Far from trying to bolster an economistic, class-reduction understanding of the world, Reed has gone out of his way to do the opposite.
Balentine is one of two Black workers who filed racial discrimination charges against Walmart this week, alleging that the company’s background check policies had a disparate impact on African Americans in the Elwood facility.
Carrying on from Raymond Williams' Keywords, the classic study of capital's appropriation of words for its own ends, the book under review looks at contemporary linguistic usage that serves and reinforces dominant class interests.
A vintage holiday treat from the UK's Black Dwarf, Christmas 1969*, where the author analyzes the dialectic of Christmas in which the desire for happiness is marshaled into a tool of subjection (and alcoholic oblivion).