Can democracy in the United States survive naked dictatorial ambition and Christian nationalism in 2024? The biggest danger today: a vengeful would-be dictator and a cultist Christian nationalist movement that are reaching for absolute power in our country. Please help us to inform, to mobilize and to inspire the forces of multi-racial, radical, inclusive democracy to defeat this threat in 2024.
In “The Last Black Man in San Francisco,” the desire for home is at once existential and literal, a matter of self and safety, being and belonging. This is, of course, part of the story of being black in the United States.
Roger Ross Williams cinematic tour de force proceeds to tell the story of racism through the colonial period up to today’s Black Lives Matter struggles against police brutality and more.
Martin Scorsese’s adaptation of David Grann’s best-selling Killers of the Flower Moon explores the rot beneath the myth of American exceptionalism.
Nikki Giovanni is one of America’s most acclaimed poets and a well-known voice of the Civil Rights, Black Power, and Black Lives Matter movements. A powerful writer and trailblazing activist, Giovanni’s words have inspired the masses for decades.
A northern pub landlord confronts locals’ hostility towards Syrian refugees in Loach’s latest – and possibly last – piece of politically trenchant cinema
The 40th-anniversary restoration of Jonathan Demme's Talking Heads "Stop Making Sense", a great concert film, is a funk spectacle. It has also united the band, which split in 1991, to discuss a landmark achievement.
For the AppleTV+ production “The Pigeon Tunnel,” documentary filmmaker Errol Morris again captured elusive quarry by recording four days of interviews with John le Carré (neé David Cornwell) in fall 2019; they proved to be the acclaimed author’s last
In Pablo Larrain's new film the villain is not a fictional one. He is General Augusto Pinochet, the brutal, U.S.-backed military dictator who ruled Chile from 1973 to 1990 and died in 2006 still with the blood of thousands on his hands.
An animated documentary film based on a true story, the film follows Aurora Mardiganian’s life during and just after the Armenian genocide.
"She was flawless, something had to be wrong. I wanted to heal her, but I also needed her sick. I wanted to become Barbie, and I wanted to destroy her. I wanted her perfection, but I also wanted to punish her for being more perfect than I’d ever be."
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