Portside

Tia Lessin and Emma Pildes' expansive and emotional documentary about the Jane Collective sheds necessary light on a very recent history.

For almost two decades before 1939, Alfredo Cecchetti worked as a cameraman documenting the rise of the Fascist Party in Italy and its leader Il Duce, Benito Mussolini. Alfredo C. helped to immortalize the great machine of the Italian Fascist Regime – both in Italy covering countless public appearances of Mussolini and after 1939, the Italian invasion of Albania, as he followed the Italian troops and then filmed the new Italian settlers. Embedded in the archive are many films that were part of the Italian Fascist propaganda machine.

The Northman is about a glowering, muscle-bound man-mountain named Prince Amleth (Alexander Skarsgård, son of Stellan) who as a boy witnesses the killing of his father, King Aurvandill (Ethan Hawke), and the abduction of his mother, Queen Gudrún (Nicole Kidman), by the king’s betraying half-bastard brother Fjölnir (Claes Bang). Amleth vows revenge.

A military romance suffers under the weight of KGB surveillance in this restrained period drama set in Soviet-era Estonia.

Winner at the Venice film festival, Audrey Diwan’s film, "Happening", captures the panic of an unwanted pregnancy before the legalization of abortion in provincial France.

After three years, “Donbass” is finally hitting American theaters. Its portrait of misinformation and institutional failure is all too timely.

A departure from the Caped Crusader’s elitism, the latest adaptation of the DC comic addresses class disparities in Gotham.

Landmark Labor Movement documentary “The Wobblies” makes its return to theaters over 30 years after first premiering at the New York Film Festival in 1979, and IndieWire has the exclusive new trailer here.

CODA may not really be 2021’s best film, but CODA’s Best Picture win might just make the best sense. As a representative of the topsy-turvy movie year, in a topsy-turvy world, handed out at a remarkably topsy-turvy Oscars, it might not be half bad.

Ahed's Knee's, by Israeli director Nadav Lapid, opens up to deliver a filmmaker’s cri de coeur about the state of his country, it also dares to ask where goodness lies, which is a far more universal and relatable question.