Sorry to Bother You’s focus on the necessity of workers to realize that they’re stronger and better off as a cohesive unit with the strength of a union behind them is astonishing and refreshing.
Boots Riley—Oakland activist, musician, and now film-maker extraordinaire—has made labor organizing in an almost entirely non-union industry seem doable and definitely worth the bother.
Leave No Trace is a film about living off the grid in America, but not as a political act or as a desperate struggle to survive. It’s a story of a family seeking harmony with the land, and with their country.
An Irish-Canadian-Luxembourgish co-production, adapted from Deborah Ellis’s much-loved YA novel, it’s a tale of youthful fortitude in Taliban-era Afghanistan that has something of the defiant feminist spirit of the French-Iranian gem Persepolis.
In a culture that favors stories that revolve around men, women are too frequently treated as disposable asides who exist solely to further a male hero’s narrative arc. They are, literally in this description, things to be given to or taken away from male heroes.
The redemption of a racist cop in the awards season favorite will surely tug at the heartstrings of industry voters. But it’s unearned, manipulative and altogether offensive.
The droll conceit of "Where to Invade Next" is that the Joint Chiefs of Staff “summon” Michael to the Pentagon and deploy him to “invade” countries around the world. But instead of looting them of their natural resources, such as oil, Moore brings their best ideas—including free university education, expanded leisure time, worker representation on boards of directors, school reform, punishment of bankers for recklessly wrecking economies, prison reform, back to the US.
The new film, which won the Audience Award at SXSW last week, tells the story of the iconic labor leader's fight to unionize farm workers, the inception of the United Farm Workers of America, and highlights the fight for better pay and conditions for farm laborers in the fields of California. "Cesar Chavez," which was screened at the White House on Wednesday, hits theaters March 28th.
With The Grand Budapest Hotel, Wes Anderson has reached the dizzying point of fantasizing about feeling nostalgic for nostalgia itself.
Inequality for All might convert a few, but, more importantly, it will give strength to all of us who are on the front lines of reversing income disparity in the U.S. and beyond.
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