As election results came in, Blum was given the Isreal Film Festival’s achievement in film and television award. His acceptance began with criticism of Trump.“ A lot is at stake. The last two years have been hard for all of us who cherish freedom."
"I can’t think of a previous batch of statuette-season contenders so politically on point and of the moment, and I credit — although that’s not quite the right word — Donald Trump. His rise and presidency have brought so many of the cancers of American life to the surface, where we can no longer avoid them, and the movies reflect that. He’ll be at the Golden Globes and the Academy Awards not just as the butt of a gazillion jokes. He’ll be there as an inspiration."
Get Out opens with a familiar horror-movie trope. Someone walking alone down a dark street stalked by a mysterious force. That the setting is an idyllic suburb, the someone is a young, increasingly panicked black man, and the predator is driving a white car gives the scenario an unmistakable reality. The scene grows disturbing. You may flash on Trayvon Martin. That the black youth is not shot but rather abducted is a dreamlike condensation of the movie to come.
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