In Maestro, Bradley Cooper plays famed conductor Leonard Bernstein but leaves out the complicating — and fascinating — real-life details for a more streamlined, tearjerking product. It’ll doubtlessly do well at the Oscars.
After supporting screenwriters and actors through their monthslong strikes, film and TV crew workers with the International Alliance of Theatrical Stage Employees (IATSE) are launching a reform caucus.
The agreements with actors and writers represent a capitulation by Hollywood’s biggest companies, which started the bargaining process with an expectation that the unions, especially SAG-AFTRA, would be relatively compliant.
Recent union contract gains against a backdrop of decades of union decline, worsening wealth inequality and broken labor laws.
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Lucas created Star Wars using non-union workers. But decades later, visual effects workers are still non-union. That’s about to change.
Writer Gary Phillips traces the history of the Writers Guild, the militancy of Hollywood unions, beginning with the writers, the difference between the writers and actors, and why the actors remain on strike.
Top negotiators for the writers guild believe the studios’ interests “are no longer sufficiently aligned to allow them to easily negotiate together”
The singer-songwriter met the demands of striking SAG-AFTRA, including streaming residuals, to release The Eras Tour documentary.
While guild members would love to get back to work, the one thing they’re not going to do after months on the picket lines, whatever the studio’s strategic game plan when the strike began, is roll over and play dead.
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