Portside

Chie Hayakawa's raw and sobering debut imagines a near-future Japan in which the elderly are encouraged to volunteer for euthanization. The scariest thing about Hayakawa’s film isn’t its familiar depiction of a society that privileges human output over human dignity, but rather its soft dystopian sketch of a society that’s able to soft-shoe around dehumanization and/or sell it as an act of grace.