Following the critical success of Hansberry's A Raisin in the Sun, The Sign in Sidney Brustein's Window – a critique of white liberalism that takes place in Greenwich Village – debuted in 1964, critics were not as enamored.
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In the 75 years since novelist John Steinbeck published his masterpiece about the Okie migration, the towering Ma Joad has faded from archetype to anachronism. Ever since Steinbeck published his opus on the plight of the Dust Bowl migrants in 1939, readers have warmed to Ma as a paragon of folksy integrity - "an unforgettably vigorous figure, like Mother Courage without the corruption or rapacity," - and, more recently, praised her as a feminist icon...
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