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Ryan Coogler’s Road to “Sinners”

Jelani Cobb The New Yorker
The film represents a departure for the “Black Panther” director, and a creative risk; it grapples with ideas about music, race, family, religion—and vampires.

In the Shadow of King Coal

Sarah Jones Dissent Magazine
While the coal industry is in terminal decline, it still shapes the culture of central Appalachia.
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