Inspired by student outrage at the link between politicians and the National Rifle Association, the poet find hope in the no-longer-so-innocent next generation.
Audre Lorde (1934-1992) was one of the most significant U.S. writers of the last quarter of the 20th Century. She described herself as "Black, lesbian, mother, warrior, poet." This new collection of her poetry and prose allows readers to remind themselves of her thought and its significance.
After all, the New Jersey-based poet Nicholas Gordon writes, Washington and Wall Street move up and down on one principle--why be surprised? what did you expect?—Greed!
Asked to addressed the word “resistance,” New York poet Esther Cohen responds “courage,” which is not what the teacher expects, which helps define “resistance.”
Kim Shuck, current poet laureate of San Francisco, explores the complications-- mixed-up heritages, commercial indifference—of seeing the “Great Urban Indian Poem published “because culture is at its/Root not something that can be sold by chain stores.”
As part of the so-called second wave of feminism, Jeannette Ferrary’s “Negatives” captures a woman’s sense of awakening during the 1970s, much as women today raise their voices with renewed anger about male chauvinism.
From the beginning of a day, any day, writes Colorado poet Jared Smith, taking a continental view of people at work, we all go through “the motions” and “the same work has to start and be filled each day…”
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