Documenting the Vietnam War in 1969. War crime in Yemen in 2018. Face-masks protect from pandemic in 1918. Hip-hop is born in 1973. White House report doesn't see race in 1938. Blowin' In the Wind dropped in 1963. Springfield Massacre in 1908.
Dylan, writes reviewer Foye of this new coffee table-size book, "is sweeping out the ashes from the cave of a long career. He is casting a light on the Jungian shadows of popular song, examining both mechanics and metaphysics."
Rhiannon Giddens's multicultural background has presented particular challenges of self-definition. She is an artist of color who plays and records what she describes as "black non-black music," reviving a forgotten history.
The worldwide cultural revolution initiated by the invention of records and record players has been vast and helps define what it has meant to be both "modern" and "post-modern." In this new book, Michael Denning surveys the scope and breadth of this revolution. Noise Uprising, says reviewer Tim Barker, "offers an ambitious, if somewhat speculative map of the connections" between the dizzying array of styles and genres of modern popular, vernacular music.
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