Peter Carroll’s visit to Perry, Iowa gives no warning of sudden violence that occurred there this week, except for feelings of despair that might afflict a troubled young man with nowhere to go.
In the popular imagination, vegan school lunch may seem like the exclusive provenance of big cities like New York, but the tide appears to have shifted significantly in much of the country.
This approach to period pieces does not only erase historical racism and homophobia. It also erases our joy. Accurate historical representation and less trauma in stories about marginalized people are not opposing goals.
Reviewer Pele says author Mbembe defines “necropolitics” “as the political making of spaces and subjectivities in an in-between of life and death.” Necropolitical practices have their origins in colonialism and the slave plantation.
In Wonka, Timothée Chalamet dons the eccentric chocolatier’s purple jacket in yet another film adaptation of the Roald Dahl classic Charlie and the Chocolate Factory. This one is playful and harmless, but it can’t touch the 1971 original movie.
In Maestro, Bradley Cooper plays famed conductor Leonard Bernstein but leaves out the complicating — and fascinating — real-life details for a more streamlined, tearjerking product. It’ll doubtlessly do well at the Oscars.
This book explores how social identities of various kinds have spurred the divisiveness of our politics, and how politics has itself become a kind of social identity.
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