The London School of Economics and Political Science Blog
Only a handful of European states are currently governed by left-wing governments, and several of the traditionally largest left-wing parties, such as the Socialist Party in France, have experienced substantial drops in support. Jan Rovny argues that while many commentators have linked the left’s decline to the late-2000s financial crisis, the weakening of Europe’s left reflects deep structural and technological changes that have reshaped European society, leaving left-wing parties out in the cold.
Shortly before his death, James Baldwin wrote that in the U.S., “White is a metaphor for power,” an observation that is deep background for much of the discussion in the masterly book under review, where race and class are intertwined, yet surface differences are used to split the labor force and maintain capital’s hegemony. The book can usefully inform debate on race and class and aid in reconstructing a revolutionary project in the context of Trumpworld.
Tens of thousands of people in dozens of cities across Iran have braved bullets and tear gas in a public outpouring of dissent against the country’s ruling establishment. These protests appear to have originated in working-class conservative cities and towns that the Islamic Republic likes to depict as its core constituency. Iranian labor activists has long expected such an outbreak of discontent from the economically disadvantaged people in these areas.
New York Times
300 powerful women in Hollywood have announced a new group called Time's Up to lead a national campaign against the systematic sexual harassment of women from Hollywood to working-class communities across America.. Among those taking part are actresses Emma Stone, Reese Witherspoon, Eva Longoria, America Ferrera, Meryl Streep, Ashley Judd, Natalie Portman, Eva Longoria and Kerry Washington, as well as producer Shonda Rhimes, Universal Pictures chairwoman Donna Langley, and lawyer Tina Tchen. (Daily Beast)
The author enlivens a type of working-class society where capitalism compensates poor men with the role of tough guy, all in the writer's effort to "bring the left to life."The End of Eddy does so in a style both plainspoken and visceral, using Louis's own childhood trials--like his protagonist much abused as a gay kid in a dead-end factory town --as a window onto the pathologies of a cloistered working-class existence.