poetry FOR THE SAD WAITRESS AT THE DINER IN BARSTOW

With a sharp eye for detail and an unrelenting instinct for trouble, Los Angeles poet Alexis Rhone Fancher presents the sad working woman behind the counter.

Alexis Rhone Fancher San Pedro River Review
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FOR THE SAD WAITRESS AT THE DINER IN BARSTOW

By Alexis Rhone Fancher

beyond the kitchen’s swinging door,
beyond the order wheel and the pass-through piled
high with bacon, hash browns, biscuits and gravy,

past the radio, tuned to 101.5-FM
All Country - All the Time,
past the truckers overwhelming the counter,
all grab-ass and longing.

in the middle of morning rush you’ll
catch her, in a wilted pink uniform,
coffee pot fused in her grip, staring over
the top of your head

you’ll follow her gaze, out the fly-specked, plate
glass windows, past the parking lot, 

watch as she eyes those 16-wheelers barreling
down the highway, their mud guards
adorned with chrome silhouettes of naked women
who look nothing like her.

the cruel sun throws her inertia in her face.
this is what regret looks like.

maybe she’s searching for that hot day in August
when she first walked away from you.

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there’s a choking sound
a semi makes, when it pulls off the
highway; that downshift a death rattle
she’s never gotten used to.

maybe she’s looking for a way back.
maybe she’s ready to come home.

(But for now) she’s lost herself
between the register and the door, the endless
business from table to kitchen, she’s

as much leftover as those sunny side eggs,
yolks hardening on your plate.

Alexis Rhone Fancher’s poem, “when I turned fourteen, my mother’s sister took me to lunch and said:” was chosen by Edward Hirsch for inclusion in The Best American Poetry of 2016. She is the author of How I Lost My Virginity To Michael Cohen and other heart stab poems, (Sybaritic Press, 2014), and State of Grace: The Joshua Elegies, (KYSO Flash Press, 2015). She is published in Rattle, The MacGuffin, Slipstream, Wide Awake: Poets of Los Angeles, Hobart, and elsewhere. Her photos are published worldwide, including spreads in Blue Lyra, River Styx, Blink Ink, Fine Linen, HeART Online, Rogue Agent, and the covers of Witness and The Mas Tequila Review. Since 2013 Alexis has been nominated for seven Pushcart Prizes and four Best of The Net awards. She is poetry editor of Cultural Weekly, where she also publishes a monthly photo essay, The Poet’s Eye. Find her at alexisrhonefancher.com