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poetry Mosul

David Hernandez, poet from southern California, brings us to a moment of tragedy--seemingly random, seemingly fated--from the Iraq War.

Mosul

By David Hernandez

The donkey. The donkey pulling the cart.
The caravan of dust. The cart made of plywood,
of crossbeam and junkyard tires. The donkey
made of donkey. The long face. The long ears.
The curled lashes. The obsidian eyes blinking
in the dust. The cart rolling, cracking the knuckles
of pebbles. The dust. The blanket over the cart.
The hidden mortar shells. The veins of wires.
The remote device. The red light. The donkey
trotting. The blue sky. The rolling cart. The dust
smudging the blue sky. The silent bell of the sun.
The Humvee. The soldiers. The dust-colored
uniforms. The boy from Montgomery, the boy
from Little Falls. The donkey cart approaching.
The dust. The laughter on their lips. The dust
on their lips. The moment before the moment.
The shockwave. The dust. The dust. The dust.

DAVID HERNANDEZ's most recent collection of poetry is Dear, Sincerely (University of Pittsburgh Press, 2016). His other books include Hoodwinked (Sarabande Books, 2011), winner of the Kathryn A. Morton Prize in Poetry, Always Danger (SIU Press, 2006), winner of the Crab Orchard Series, and A House Waiting for Music (Tupelo Press, 2003). David teaches creative writing at California State University, Long Beach and is married to writer Lisa Glatt.

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