The new Oprah Winfrey–produced Sidney Poitier documentary, Sidney, is a gushing tribute film, not a fully rounded portrait of a human being who had weaknesses to go along with his many strengths.
Gutsy, Hillary and Chelsea Clinton’s new TV series, showcases courageous women from an array of fields. But the show’s narrow lens suggests approval of women who show spunk, but not those who challenge abusive state power or capitalism.
Gay rights, corporate scheming, and family drama make for a taut and densely plotted episode on For All Mankind
The Afterparty is just one of several new comedies about stressed-out millennials finding themselves trapped in a murder mystery. So what is it about this generation that makes them all want to star in an Agatha Christie story?
The new AppleTV+ series explores an aspect of eating disorders rarely depicted on TV.
"The Signal" may not resolve all the season's issues, but it commits to its central character study
Physical spends a lot of time pinning aerobics to capitalism and how it would violate the leftist politics the protagonist thinks she stands for.
It's an apolitical show. So why do politicians keep talking about it? It’s ironic that so many people have hung the American self-image on a show with its roots in a mildly condescending joke about ugly Americans.
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