Portside

Hayao Miyazaki's environmentalist masterpiece Princess Mononoke returns to theaters while his style is stolen by AI.

Tomás Gutiérrez Alea brought the experience of postrevolutionary Cuba to the screen in classic movies like Memories of Underdevelopment and Strawberry and Chocolate. Alea’s committed, artistically dazzling work set a benchmark for political cinema.

The press is blaming the young and very online actor Rachel Zegler for Snow White’s dismal box office showing. But Zegler’s performance as the original Disney princess is the only bright spot in an otherwise cynical cash grab.

Black Bag is being hailed by critics as highly sophisticated cinematic fare — rather than an unambitious rush job by a talented director eager to move on to his next, similarly unsatisfying project.

The Oscar-winning documentary provoked reactions along the fault lines of the ongoing conflict.

A sex worker in a romantic comedy isn’t new. How the Oscar-nominated film uses immigrant Brooklyn to subvert the genre? That’s different.

The most remarkable part of this film is the irony of how it lands in the political moment: “Brave New World” features a Black iteration of the quintessential American superhero a month into an administration dedicated to eliminating diversity.

“What is most important is not what people with unbridled power can impose on us, but rather on what we can do as human beings, as political actors.”

Despite Emilia Pérez’s mixed reviews and poor audience reactions, Hollywood handed the musical 13 Oscar nominations in the hopes of proving its progressive bona fides. Then old tweets from its star surfaced.

No Other Land, an award-winning documentary about the dispossession of Palestinians in the West Bank, still hasn’t found a distributor in the US.