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The New Yorker tried to pin the comedian down with facts. It didn’t work.

Gen V’s season-long satire of college sports, superheroes, and capitalism comes to a wicked end. Even with their amazing powers, superhumans are still humans; corporations have the real power.

From The Host to Kingdom, Korean filmmakers have used the horror genre as a vehicle for political critique and reached a huge global audience. They’re building on a long international tradition of socially conscious scare stories.

Netflix’s resident horror auteur is back with his take on Edgar Allen Poe’s The Fall of the House of Usher. You’ll have a good time — even if some of the nods to “sociopolitical relevance” might send your eyes rolling.

The two big sticking points between SAG-AFTRA and the AMPTP, explained.

The Boys spin-off show explores trans identities through its shapeshifting supe

Though it’s not an outright race-focused series, the new Apple TV+ drama is clearly in the vein of shows like ‘Them’ and ‘Lovecraft Country’

A blunt but mostly entertaining adaptation of Zakiya Dalila Harris’s bestseller 'The Other Black Girl' explores the complexities of race in the office

In Sunday’s interview with Kristen Welker, Trump went with his classic playbook of vague answers and conspiracy theories.

Suits is half comfort watch, half reckoning — and America can’t stop streaming.