David Bacon
afterimage, the journal of media arts and cultural criticism, vol. 40, no. 6
Can photographers be participants in the social events they document? Eighty years ago the question would have seemed irrelevant in the political upsurges of the 1930s, in both Mexico and the United States. Many photographers were political activists, and saw their work intimately connected to workers strikes, political revolution or the movements for indigenous rights. Now a book and a recent exhibition should reopen this debate.
"Both have two central elements in common. They criticize public education in their countries, and they're financed and backed by important people in the business world."
The Dignity Campaign is a loose network of more than forty immigrant rights and community organizations, unions and churches that has crafted an immigration reform proposal based on "human, labor and civil rights for all." The campaign's member organizations support it as an alternative to the political strategy behind the tradeoff because of what they call the bitter impact of earlier tradeoffs over the last thirty years.
Leo Robinson was a leader of the longshore union in San Francisco. He died this week. For many of us, he was an example of what being an internationalist and a working-class activist was all about.
Leo Robinson was a leader of the longshore union in San Francisco. He died this week. For many of us, he was an example of what being an internationalist and a working-class activist was all about.
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