Portside

The acclaimed Indian novelist and essayist whose first novel, The God of Small Things (1997) was a prize-winning, international sensation, has just published a new novel that reviewer Walter describes as "a bright mosaic."

In an era where more scripted shows are being produced than ever before — why aren’t we trying to make more shows like the HBO classic?

Fifty-some years after the Cuban Missile Crisis, we are still waiting for the end--not necessary of the world, but the US embargo. Poet Peter Neil Carroll recalls an October day when Paul Simon, relatively unknown, sang for a class of nervous students at Queens College and how a young Cuban today looks back at that moment.

Returning to two of socialist Jack London's classics, The Iron Heel and The People of the Abyss--both available free at Project Gutenberg--the reviewer finds stark similarities between the deprivation of the early 20th century and the modern world of neoliberal capitalism, with its gig economy and the emergence of a precariat, valorizing London's injunction that class supremacy can rest only on class degradation.

This book is an updated telling of the history of the federal government's role in creating our nation's racially segregated neighborhoods and all-white suburbs.

A new proclamation by U.S. Secretary of Agriculture partially rolls back the stronger school nutrition standards in place since 2012, allowing states to grant exemptions for serving whole-grain rich products, and delaying any of the upcoming requirements to lower sodium levels until after 2020.

Watching “I Love Dick” is like attending an exhibition for which the artist has supplied her own curator’s notes. It’s an experience as much as a story: arresting, disorienting and provocative. It’s also very conscious of explaining to you how and why it arrests, disorients and provokes.

"a mirror/ if our eyes are strong enough," so the poet J. David Cummings evokes the death of children: at Hiroshima, on the Mediterranean today.

The author argues that the Terror of the French Revolution was a price worth paying, and that the lessons from overthrowing the old regime should temper today's trend of maligning oppressed people's resort to violence as itself a rationale for ongoing class injustices. The reviewer, no critic of revolutionary struggle, argues that the author overemphasizes the pursuit of vengeance then and now involved at the expense of politics and a weighing of class forces.

In these early days of the Age of Trump, there is an upsurge of interest in Margaret Atwood's 1985 harrowing dystopian novel. Jennifer Helinek reminds us why this book has become a modern classic.