Portside

The Irishman is the end of the mob film as statement, the end of the figure of the Mafia. This signifier no longer has the power it once had, as it fades into the ruling class itself.

Soon after calories were posted on fast-food menus, people cut back a little bit on what they ordered. But it didn’t last.

After a flop film, Philip Pullman’s trilogy of novels have now been made into a BBC/HBO TV series – and its fairytale story could not be more relevant to 2019, writes David Jesudason.

California poet Buff Whitman-Bradley reminds us that some wars never end.

An evocative, bottom-up history of Palestine and the struggle for a homeland, told through the stories of the people who have survived the conflict.

This book is "a radical, genre-defying examination of the lives of 'ordinary' young Black women" in the rapidly urbanizing USA of the late 19th and early 20th centuries, says this reviewer.

Terrence Malick's latest film explores whether a single civilian’s quiet act of resistance can have any tangible impact during times of systemic evil.

The GM chestnut, a research project funded by Monsanto and other large agribusinesses, could infringe on indigenous sovereignty.

The first three seasons of The Expanse are largely concerned with how class structures and oppressive politics replicate themselves, even in the far reaches of space.

This holiday season is truly different. Alongside the festivities, battle lines have been drawn. The survival of democracy is at stake. We ask readers for their support once a year. If you like what we do, this is the time to support Portside.