Portside

Diane Kruger is superb portraying a tortured character with her own “Subterranean Homesick Blues” who is “thinking about the government.” Kruger won the Best Actress Award at 2017’s Cannes Film Festival for her depiction of the anguished Katja who decides to take direct action against the neo-nazi assassins of her husband and child.

Jonathan Kauffman's new book, Hippie Food: How Back-to-the-Landers, Longhairs and Revolutionaries Changed the Way We Eat, follows the people and places throughout the country that brought organic vegetables and whole wheat bread into the counterculture, and then, eventually, mainstream supermarkets.

Is network TV ready for a Black Lesbian superhero?

After all, the New Jersey-based poet Nicholas Gordon writes, Washington and Wall Street move up and down on one principle--why be surprised? what did you expect?—Greed!

Sun Tsu said “Know your enemy and know yourself and you will always be victorious." Following that wisdom, Portside is running this otherwise execrable interview with Niall Ferguson, a leading myrmidon of the white shoe Right, trumpeting his retrograde views on—among other things— reactionary icons Edmund Burke and Charles Murray, along with snarky comments on unnamed post-colonial critics who he doubts—with no justification—never read his work.

Le Guin's novels, short stories, and poems have been delighting audiences for over half a century.

The redemption of a racist cop in the awards season favorite will surely tug at the heartstrings of industry voters. But it’s unearned, manipulative and altogether offensive.

Georgia Gilmore was a Montgomery cook, whose fried chicken sandwiches and other foods fed the African-American men and women planning the bus boycott; the money raised helped pay for the alternative transportation system during the 381-day bus boycott.

Most white voters voted for Trump, but not even most working-class white voters voted for him. If Roseanne and Dan Conner voted for Trump, it is not because they are working-class.

Florida-based poet Lolita Stewart-White addresses the paradox of race hatred that seems never to go away.