Portside

Editors Clifton Ross and Marcy Rein offer a host of interviews with today's social change activists from Latin America. Staughton Lynd offers a review of this kaleidoscopic survey.

In Andrew Niccol's 'Good Kill', fresh from his Oscar-nominated role in Boyhood, Ethan Hawke portrays pilot Major Tom Egan, who, after repeat combat tours flying over the Iraq and Afghan theaters of conflict, is now stationed outside Las Vegas, where he is deeply conflicted by his role in the UAV liquidation-by-remote-control project.

In its second season, Halt tells the story of two women laboring to bring a new, better technology to consumers with an assist from a houseful of gamers. Lean In, Gamergate, and the ongoing under-representation of women in tech hang heavy over the episodes.

In a world of multiple crises and bad politics, Wisconsin poet Margaret Rozga celebrates the spirit of unyielding global resistance.

With its numerous religious awakenings and repeated instances of religiosity as political theater, it's easy to forget US civic life is secular. Author Kevin Kruse argues that the effort to ground political rights in spiritual authority and not in democratic discussion and decision-making originated with a coterie of corporate heads, right-wing politicians, reactionary pastors and cultural icons as a bulwark against progressive politics and New Deal legislation.

Scholars are producing increasingly detailed accounts of how the U.S. government utilized artists and culture in the Cold War anti-Communist crusade. According to former diplomat John H. Brown, this new study, by Greg Barnhisel, shows that an important factor in making modernism work for U.S. Cold War interests involved "defanging modernism of its radicalism and turning it into an international vehicle for whitebread all-American convictions."

Clouds of Sils Maria is a prolonged debate about the passage of time and the ceaseless rivalry of generations.

Liberal arts courses across the curriculum include food as a central topic of academic study

California poet Erica Goss raises the question, knowing the reader will have an answer: Is one child's life worth more than another's?

The compendious catalogue of a recent exhibit offers representations of art as practiced by numerous Plains tribes from first encounter with Europeans to their near decimation not only from military conquest and rough frontier justice but from European-spawned disease. Much of the work is likened to that of Italian painters of religious scenes during the Renaissance, which might be defined as the depiction of social life sustained by a sacred sacrifice of blood.