News and analysis about and from movements and parties around the world
What is paradoxical is that U.S. imperial ideology happens to be not fascism but an all-encompassing and intolerant liberalism refitted for rationalizing military and political expansion.
Just because not all jobs can be done at home does not mean that no jobs should be done at home. Working from home won’t end exploitation, but it’s nonetheless an important front on which labor can strive to secure improved working arrangements.
Bon Jovi’s hit “Livin’ on a Prayer” is an anthem about working class survival. But it also contains a deeper message about class struggle.
In the wake of neo-fascist coup attempts — and the ongoing threat they pose in the U.S. and Brazil — it’s worth revisiting historical analogies on how to challenge the fascist plague before it metastasizes, endangering people the world over.
Our labor has become a commodity, something bought and sold in the marketplace, no different in principle than raw materials, equipment, and the buildings that house our workplaces.
Disparities between the aristocratic and working classes are not only a foundational part of English culture, but a cornerstone of narrative conflict in British dramas, particularly as working people have been historically defined by their professions rather than their personalities or aspirations.
A century after violent efforts to suppress resistance to class exploitation, the nation has learned to think about people and the economy with a language that favors the wealthy and elides issues of power.
In 1791, enslaved Haitians did the seemingly impossible. They ousted their French masters and founded a nation. But France made generations of Haitians pay for their freedom — in cash. How much has remained a mystery, until now.
Season 4 part 1 of the Netflix series "Ozark" is a microcosm for the bigger message of struggle between classes under capitalism
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