No one is safe from the transition this country is undergoing. While many of us have faced hate, ignorance and greed in our daily lives, the period that we have entered is unlike anything that any of us has ever seen before.
The BBC show seems to have difficulty fitting female characters into its universe. But it isn’t Arthur Conan Doyle’s fault.
“Good Girls Revolt” resisted the militant bra-burning feminist stereotype, instead depicting ambitious young women from a range of backgrounds — a black lawyer, a blond princess, a mousy aspiring novelist — each inspired to take action for unique reasons. It made feminism seem like an endeavor that was not only vital, but thrilling — and not just because of the newfound sexual freedom.
The pilot of Good Girls Revolt does a good job of setting the scene for why the women decide to sue in the first place, even if the gender discrimination lawsuit that inspired the series isn’t even mentioned as a possibility until episode two.
Entering its third season, the ’80s-set AMC show portrays the tech world with nuanced, character-driven narratives that its rivals lack.
One of the most compelling undercurrents of the show is how it's developed a kind of “against the grain” feminism with its female characters. This came to a head in Season 6, arguably Game of Thrones' most feminist season yet.
A brief primer, for those unfamiliar with Penny Dreadful: the show takes place in a fictional Victorian London where gothic creatures of the night exist, seances abound, and famous literary characters (Victor Frankenstein, Dorian Gray) mingle with original characters.
When I began my academic career over forty years ago, the idea that a sea change from Andrew Jackson to Harriet Tubman would happen within my lifetime, that my students would come to college familiar with not only Harriet Tubman—but also Harriet Beecher Stowe and Harriet Jacobs—seemed unimaginable. The forgotten voices of women, particularly women of color, are being recovered.
Writer and activist Sarah Schulman, whose new novel, The Cosmopolitans, tackles race and ageing, explains focus on LGBT lives and how gentrification isn't as simple as it seems. The Cosmopolitans is a beautifully written, page-turning novel about friendship, love, and revenge set in the disappeared world of 1950s New York.
Upending the patriarchy was always a part of Powerpuff storylines, as trio demolished villain after cackling villain en route to saving the bumbling Mayor of Townsville (voiced by Tom Kenny). That’s not going to change. If anything, the new series will go further, providing commentary both nostalgic Millennials and younger viewers can grok.
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