One of the most compelling undercurrents of the show is how it's developed a kind of “against the grain” feminism with its female characters. This came to a head in Season 6, arguably Game of Thrones' most feminist season yet.
A brief primer, for those unfamiliar with Penny Dreadful: the show takes place in a fictional Victorian London where gothic creatures of the night exist, seances abound, and famous literary characters (Victor Frankenstein, Dorian Gray) mingle with original characters.
When I began my academic career over forty years ago, the idea that a sea change from Andrew Jackson to Harriet Tubman would happen within my lifetime, that my students would come to college familiar with not only Harriet Tubman—but also Harriet Beecher Stowe and Harriet Jacobs—seemed unimaginable. The forgotten voices of women, particularly women of color, are being recovered.
Writer and activist Sarah Schulman, whose new novel, The Cosmopolitans, tackles race and ageing, explains focus on LGBT lives and how gentrification isn't as simple as it seems. The Cosmopolitans is a beautifully written, page-turning novel about friendship, love, and revenge set in the disappeared world of 1950s New York.
Upending the patriarchy was always a part of Powerpuff storylines, as trio demolished villain after cackling villain en route to saving the bumbling Mayor of Townsville (voiced by Tom Kenny). That’s not going to change. If anything, the new series will go further, providing commentary both nostalgic Millennials and younger viewers can grok.
There has been much said about younger women who do not support Hillary having not suffered the difficulties of the workplace yet. Once they do they will be on board, like their mothers, supporting a woman for president. But although this may sometimes be the case, I think something else is going on. It is called complex, multiple, feminist initiatives/alternatives.
I knew Friedan and I know she believed the system wasn't just about men and women, either. The author recounts her hours long conversation with Betty Friedan, author of The Feminine Mystique, Labor Day weekend 2005, five months before her death. Betty was thoughtful. Finally, she commented: 'We didn't challenge the system enough.'
I wanted to see Elizabeth Warren run for president. Institutional support was thin. They said that Warren didn't have a chance of winning. I found the argument that Elizabeth can do more in the Senate (but not in the Senate leadership!) than the presidency to be condescending - another manifestation of the glass ceiling. Yet the same people who were making those arguments against Elizabeth running are now Clintonsplaining that I'm a self-hating woman and a bad feminist.
Feminism provided me with the tools to work toward a new kind of socialism.
Suffragette is the first film to depict a women's movement with major Hollywood stars. And Gavron's introduction, skyped in at the preview I saw, was superb, emphasizing global women's struggles and class and race inequality as well as the historical fight for suffrage. As more celebrities come out as feminists, we can hope for more.
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