Lesley Gore, whose song "You Don't Own Me" in 1964, became a rallying cry, proclaiming that men did not own women, "so don't tell be what to do". "The power of women just saying that phrase together: "YOU. DON'T. OWN. ME." Not to our special someones ... but to our government. Until now! Dayum! Gauntlet thrown!" (Upworthy). Gore died on February 16 after a bout with cancer.
In 2013, there were more laws passed to limit women’s reproductive rights than in the entire previous DECADE.
Ten million more women than men voted in the last election. In fact 53% of voters were women. That is not a voting block it's a majority. Women have decided literally every election in our lifetimes, yet, midterm turnout is historically low. LET'S CHANGE THAT!
Many of us may have access to good health care, but our experience being a woman – and our rights – shouldn’t depend on our zip code. Our sisters in Texas, Wisconsin, North Dakota, Ohio, Arkansas, and so many other states don’t have what we have. The most regressive, antiwoman, antivoting, antiequality laws are being passed on the state level. This is why the MIDTERMS are so important.
It’s not enough to vote – we have to vote like our futures are on the line because they are. That means you vote, but you also talk about voting. You post about voting. You bring some pals to the polls.
There is a war being waged on women's rights and we must fight back with everything we've got. Please VOTE on Nov.4th!
Appearances by: Abbey Lee Kershaw, Alexa Chung, Alia Penner, Alia Shawkat, Amy Rose Spiegel, Amanda Zazi Charchian , Ana Calderon, Anna Fitzpatrick, Ariana Delawari, Arrow and Ada, Barb Morrison, Becky Stark, Brodie Lancaster, Brooke Williams, Carlen Altman, Carrie Brownstein, Cassie Carello, Chapin Sisters, Courtney Hall, Courtney Martin, Elle Wagner, Erika Spring, Hannah Johnson, India Menuez, Judith Iocovozzi, Justin Vivian Bond, Karen Elson, Kate Nash, Kate Urcioli, Katy Goodman, Kime Buzzelli, Krista Bachmeier, Kristina Uriegas, Leah Siegel, Leith Clark, Lena Dunham, Lesley Gore, Lisa Mayock, Lucy Moffatt, Madelyne Beckles, Mae Whitman, Mallyce, Maximilla Lukacs, Maria Valencia, Mecca Andrews, Meg Olsen, Melissa Coker, Mia Moretti & Caitlin Moe, Mia Lidofsky, Miranda July, Natalia Czajkiewicz, Natasha Lyonne, Petra Collins, Rachel Antonoff, Rebecca Fernandez, Rain Phoenix, Riley Keough, Ruby Karp, Ryan Roche, Sarah Sophie Flicker, Shae Detar, Sia, Sophie Buhai, Tavi Gevinson, Tracee Ellis Ross
Despite the ongoing pandemic of violence against women, the threats online and the harassment on the streets, women’s voices assumed an unprecedented power in 2014, writes Rebecca Solnit.
The shift of capital from housing, jobs, education, to profitable arenas has meant there are huge numbers of people everywhere in the world who are not able to sustain themselves. They are made surplus, and as a result they are often forced to engage in practices that are deemed criminal. And so prisons pop up all over the world, often with the assistance of private corporations who profit from these surplus populations.
Artfully combining dramatizations, performance and archival imagery, this film recounts the stories of women who founded the modern women's equality movement. In theaters Dec. 5.
The Redskins' Name -- Catching Racism. Johnny Cash -- Hurt. Forward 13: Waking Up the American Dream. Emma Watson at United Nations: This Is Feminism. John Oliver: Miss America Pageant.
UN Women's Goodwill Ambassador Emma Watson gives a straightforward talk about feminism, women's equality -- and how far all countries have to go to achieve it.
Kathleen Geier, Kate Bahn, Joelle Gamble, Zillah Eisenstein
The Nation
The Nation blog, The Curve - Where feminism and economics intersect - examined Thomas Piketty's Capital in the Twenty-First Century. If economic inequality continues to soar, as Piketty says it will, and inherited wealth plays a growing role in our economy, in what ways does that affect women specifically? And what weaknesses arise in Piketty's own analysis due to the absence of gender and race from his book? Where can we, as feminists, build on Piketty's analysis?
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