Tidbits - February 13, 2014
Portside
1. Do We Ever Actually Learn Anything from History?; 2. The Militant Mystery of World War II.
History News Network
1. Our decision makers have no respect for the lessons of history. They think the lessons don’t apply to them. They think they can make history freely: that history is like a blank canvas for their creative (and destructive) impulses. They figure they are in complete control. Hubris, in other words. 2. Opposing War - Lessons of WWI.
You Have to Know History to Actually Teach It
The Atlantic
What Really Happened at the First Thanksgiving? The Wampanoag Side of the Tale
Indian Country Today
It was Abraham Lincoln who used the theme of Pilgrims and Indians eating happily together. He was trying to calm things down during the Civil War when people were divided. It was like a nice unity story. So what really happened? We made a treaty. They couldn't make a treaty for a boatload of people so they made a treaty between two nations - England and the Wampanoag Nation.
Our Story in Two Minutes
The story of the universe in two minutes, with some notable omissions.
Tidbits - August 1, 2013
Portside
Reader Comments - Songs of Immigration; Fruitvale Station; Blow the Whistle, Face Life in Jail; Bradley Manning; On Vultures and Red Wings: Billionaire Gets New Sports Arena in Bankrupt Detroit; U.S. Prison Population; North Carolina Worst Voter Suppression Law;
Shorts - You Helped Cut the Pentagon Budget; Justice Department's Bold Voting Rights Move;
Conference - The Global E. P. Thompson: Reflections on Making of the English Working Class after Fifty Years Oct. 3-5
labor
Paid by Fee-Laden Debit Cards; Lessons from History
Submitted by the author to Portside
labor
Paid by Fee-Laden Debit Cards; Lessons from History
Submitted by the author to Portside
Getting Past the Icon -- Should Photographers Depict Reality, or Try to Change It?
Afterimage
Can photographers be participants in the social events they document? Eighty years ago the question would have seemed irrelevant in the political upsurges of the 1930s, in both Mexico and the United States. Many photographers were political activists, and saw their work intimately connected to workers strikes, political revolution or the movements for indigenous rights. Now a book and a recent exhibition should reopen this debate.
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