New York Times
New York Times
Netflix's Ozark brings capitalism's corrosive effects to middle america through the lens of a financial adviser and money laundering. Right from the opening monologue narrated by star Jason Bateman, Netflix’s new drama “Ozark” makes clear it doesn’t just want to depict a financial adviser up to his neck in danger. It’s out to convey profound truths about money.
Racism, fascism, and working-class Americans. If you’re looking for Trump’s implacable support, Texas trailer parks and Kentucky cabins are the wrong places to find it. Fascism develops over hands of poker in furnished basements, over the grill by the backyard pool, over beers on the commuter-rail ride back from the ball game—and in police stations and squad cars.
Economic Policy That Doesn't Confront the Rise in Inequality Head-On Will Do Nothing to Help the Vast Majority of American Families
Economic Policy Institute
Using policy to shift economic power and make U.S. incomes grow fairer and faster. Boosting income growth for the bottom 90 percent requires a policy agenda that explicitly aims to halt or reverse the rise in inequality. Finding no relationship between rising inequality and faster growth means raising living standards for the bottom 90 percent can likely be better for overall growth.
Subscribe to middle class
The debate this election cycle about how to shore up the American middle class and the longer-term worry that automation will chip away at the labor market both miss a more proximate and pressing reality: knowledge work, including tech jobs, are already being shipped overseas. What happened to manufacturing jobs a generation ago is now being repeated in the knowledge economy, linking the fates of the professional class and the working class together.