Battle for the Net says that on July 12 it will provide tools for all participating companies and groups to make it “super easy” for their followers and visitors to take action.
One of Orange Is the New Black's greatest accomplishments in Season 3 was exploring the Litchfield guards' inner lives just as deeply, richly, and with just as much complexity as it has the inmates' lives. Rather than set up a false dichotomy where the prisoners are the "good guys" who just got themselves into a bad situation and the guards are the monsters, Season 3 shows us that the guards have it tough, too. So tough, in fact, that they decide to unionize.
Rather than just as solely a psychologically tortured individual, it’s probably more useful to see the Punisher as a cipher onto which we collectively project our ambivalence about veterans.
Context is crucial to the politics of a narrative, always. In the context of the #BlackLivesMatter protests, and the increasing public focus on police brutality toward particularly African American communities in the U.S., it is important to ask how the fantasy of Luke Cage – a black man who is “unbreakable” – fits into the current socio-political landscape.
The series is a nice reminder that although comic books are derided as a kids’ medium, their supernatural setups can provide us with clarifying thought experiments that allow us to approach our present dilemmas with fresh perspectives.
Eight strangers around the globe are psychically linked after experiencing violent visions involving a woman (Daryl Hannah) unknown to any of them. The eight characters are about as diverse as you can get in terms of location, culture, race, economic situation, sexual orientation and occupation. As Lana Wachowski put it in an interview with io9 earlier this year, the show is "trying to get at the human question of how are we the same, and how are we different.
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