Because Glazer’s statement accepting an Oscar threatens the project some have called “Israelism,” a cult-like Zionism=Judaism and “Jews must support Bibi” complex of beliefs, some Zionists decided that he must be smeared and his reputation destroyed.
Instead of confronting what the director of The Zone of Interest actually said, Zionists distorted his lines. Glazer was the only Oscar winner to say anything about Gaza—rather shocking, given the stereotype of Hollywood, as a bastion of liberalism.
Yet another “return to normal” Oscars — briefly disrupted by a statement from Zone of Interest director Jonathan Glazer criticizing Israel’s assault on Gaza — only demonstrates just how boring even a “good one” can be.
Many post-Oscar career trajectory outcomes boil down to three things that always seem to go hand in hand with the Oscars: sexism, racism, and the toxic combination thereof, misogynoir.
You might put Maestro high on your holiday viewing list. And you might enjoy the film as a well-paced, sometimes heart-wrenching portrait of a troubled marriage. But this writer found the film about Leonard Bernstein to be deeply disappointing.
Last week's Oscar's ceremony was groundbreaking and historic, let's look at the origins of the awards 95 years ago. It started when the original Hollywood titans wanted an industry free of unions, of residuals, union benefits, well you get the idea.
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